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胡兴

Hu Xing

青·微舍工作室联合创始人、主持设计师

华中科技大学建筑学博士研究生

英国邓迪大学建筑学硕士

青·微舍工作室成立于2018年。热衷于日常生活视野下的城市“非正规性”空间研究，记录居住者们朴素而精彩的日常智慧与美学价值。并努力将其转化为某种设计驱动力，反哺于自己微观且低技的设计实践。作品曾参展第十三届全国美术作品展，获得2019年香港室内设计协会亚太区室内设计大奖评委之选奖，2019年美国建筑大师奖（AMP）年度发现奖，同年在德国 S. Arch 国际建筑奖和美国《Interior Design》杂志Best of Year 奖中获得提名，并入选Archdaily 2019年最佳住宅合集。相关论文发表于《新建筑》、《世界建筑》、《建筑创作》等期刊。

Hu Xing

Co-founder and host designer of Qingwei Studio

Doctoral candidate in architecture, Huazhong University of Science and Technology

Master of Architecture, University of Dundee

Qingwei Studio was founded in 2018. He is keen on the study of urban "informal" space from the perspective of daily life, and records the simple but wonderful daily wisdom and aesthetic value of residents. And strive to transform it into a design driving force, feeding back to their micro and low-tech design practice. His works have been exhibited in the 13th National Fine Arts Exhibition, and won the Judges' Choice Award of 2019 Asia-pacific Interior Design Award of Hong Kong Interior Design Association, and the Annual Discovery Award of 2019 American Architect Award (AMP). In the same Year, he was nominated for the S. Arch International Architecture Award and Interior Design magazine's Best of Year Award, and was selected for Archdaily's 2019 Best House Collection. Related papers have been published in journals such as "New Architecture", "World Architecture" and "Architectural Creation".

 01

《Experience as Dance》

[美] Anna Halprin

简介 

Description

安娜·哈尔普林开创了后来被称为“后现代舞蹈”的艺术，她的创作是开启戏剧、音乐、偶发事件和表演艺术实验之门的关键。这是第一部全面的传记，在美国文化的背景下审视了哈普林迷人的生活，尤其是流行文化和西海岸作为一个艺术实验中心，从“垮掉的一代”到“嬉皮士”。贾尼斯罗斯记载哈普林的长，非凡的职业生涯，开始与舞者的祖父母，逃脱了东欧大屠杀和来到美国在上世纪初，与今天的结局，当哈普林继续挑战界限之间的艺术流派以及参与者和观察者。随着她跟随哈普林从青年到老年的发展，罗斯描述了引人入胜的细节，艺术家的角色是舞者，编舞，表演理论家，社区领导人，癌症幸存者，治疗师，妻子和母亲。哈普林的朋友和熟人包括许多设计后现代表演路线的艺术家。她的学生中有特里莎·布朗、西蒙娜·福尔蒂、伊冯娜·莱纳、梅雷迪思·蒙克和罗伯特·莫里斯。罗斯把这段时期实验的重要意义表现得栩栩如生。她还通过Anna Halprin的丈夫，重要的景观设计师Lawrence Halprin的妻子的环境舞蹈工作来阐释他的工作。以哈普林的舞蹈实践和工作为重点，罗斯探索了舞蹈故事对表演它们的身体的影响。其结果是对经验如何成为表现的创新思考，以及对非凡生活的熟练描述。

Anna Halprin pioneered what became known as 'postmodern dance', creating work that was key to unlocking the door to experimentation in theater, music, Happenings, and performance art. This first comprehensive biography examines Halprin's fascinating life in the context of American culture - in particular popular culture and the West Coast as a center of artistic experimentation from the Beats through the Hippies. Janice Ross chronicles Halprin's long, remarkable career, beginning with the dancer's grandparents - who escaped Eastern European pogroms and came to the United States at the turn of the last century - and ending with the present day, when Halprin continues to defy boundaries between artistic genres as well as between participants and observers. As she follows Halprin's development from youth into old age, Ross describes in engrossing detail the artist's roles as dancer, choreographer, performance theorist, community leader, cancer survivor, healer, wife, and mother. Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life.

推荐理由

Reason for Recommendation 

如果说建筑乃至城市，与人具有某种“身体性”的联系，那应该是时间和空间感所构成的、可被数理描述的关系，即节奏（rhythm），那是一种舞蹈般的经验。在该书作者Anna Halprin 及其丈夫Lawrence Halprin 的一系列研究与实践中，节奏既是一种设计方法也是一种思维模式。

If architecture, even a city, has a "physical" connection with people, it should be the mathematically described relationship formed by the sense of time and space, namely rhythm, which is a kind of dance-like experience. In a series of research and practice of author Anna Halprin and her husband Lawrence Halprin, rhythm is both a design method and a mode of thinking.

01

《日常生活与文化理论导论》

[英] 本·海默尔

简介 

Description

本书以独特的历史的和批判的视角提供了一篇关于日常生活理论的导论。作者探究了日常生活诸概念从格奥尔格·席美尔的文化社会学，通过1930年代的民意调查项目到米歇尔·德塞尔托等人的当代理论的发展历程。

This book provides an introduction to the theory of everyday life from a unique historical and critical perspective. The author explores the development of concepts of everyday life from georg Schimel's cultural sociology through the polling projects of the 1930s to the contemporary theories of Michel d 'Esselto and others.

推荐理由

Reason for Recommendation 

“日常”，是一个我们热衷于使用的词汇，但作为一个术语，它始于理性主义危机背景下，整个西方世界的思想转变，并关涉众多晦涩的哲学文本。对此，本·海默尔的书是帮助我们快速进入该领域的最佳选择。

"Everyday" is a word we love to use, but as a term it begins with a shift in thinking across the Western world in the context of a crisis of rationalism, and involves many obscure philosophical texts. Ben Hemmel's book is the best way to get us into the field quickly.

03

《人类身体史和现代性》

[法] 大卫·勒布雷东

简介 

Description

《人类身体史和现代性》从社会学和文化学的角度分析身体在人类精神和生活中占据重要地位的深刻原因，指出现代社会往往区别对待人和人的身体——后者通常被看成是某种被动的占有物，而不是一个血肉之躯的特定根源。《人类身体史和现代性》在法国出版后，受到了持续的关注：作者提出了一种在学术界极具影响的观点：身体具有特殊的地位，是自我存在和自我表现的不可缺少的舞台，同时还是个体的标志，形成了与外界的界限。

The History of the Human Body and Modernity analyzes the profound reasons for the important role of the body in human spirit and life from the perspective of sociology and culturochemistry, and points out that modern society often treats the human body differently from the human body -- the latter is usually regarded as a passive possession rather than a specific source of flesh and blood. After the publication of The History of human Body and Modernity in France, it has received continuous attention: the author has put forward a very influential view in the academic circle: the body has a special status, is the indispensable stage of self-existence and self-expression, but also the symbol of the individual, forming the boundary with the outside world.

推荐理由

Reason for Recommendation 

“人本主义”是各人文艺术学科的重要思想基础，然而随着现代技术的发展，“人是万物的尺度”这份崇高正在被瓦解。勒布雷东的这本书生动的阐释了我们的各种感官被技术重新塑造的过程。也许人类身体最鲜明的“现代性”特征就是变动不居，何谓人，是一个需要反复追问的非稳定概念。

"Humanism" is the important ideological basis of all humanities and art disciplines. However, with the development of modern technology, the lofty concept of "man is the measure of all things" is being disintegrated. Le Breton's book vividly illustrates how our senses are being reshaped by technology. Perhaps the most distinctive "modernity" feature of the human body is the immobility. What is a person is an unstable concept that needs to be repeatedly questioned.

04

《animal architects：Building and the Evolution of intelligence》

[美] James L. Gould / Carol Grant Gould

简介

Description 

在动物世界里，各种奇怪的建筑形式，如巢穴、蜘蛛网、蜂箱甚至水獭水坝，都是纯粹适应环境的吗？还是就像人类社会的建筑，除了基本的功能考量外，还积累着美丽和智慧？作者多年来一直在研究动物行为，他们是第一个从动物建筑师的角度来探索动物是如何感知周围环境的，以及它们的智力是如何积累和进化的。作者开始用简单的话让读者了解动物的动机基础，然后通过章构建一般读者熟悉的动物，包括蜘蛛的丝网，孤独的昆虫的本能，蜂窝和蚂蚁洞，各种各样的鸟巢，发现从这些动物本能，认知过程和社会模式背后的智慧，延伸的建筑蓝图，甚至到自然之美，作者不忘从观察动物建筑中探索人类智慧的本质。

In the animal world, all kinds of strange architectural forms, such as nests, spider webs, beehives and even otter DAMS, are purely adapted to the environment? Or is it just like the buildings of human society, where beauty and wisdom are accumulated in addition to basic functional considerations? The authors, who have been studying animal behavior for many years, are the first to explore, from the perspective of animal architects, how animals perceive their surroundings and how their intelligence accumulates and evolves. The author start with simple words let readers understand the motives of animal building, and then by chapter building general readers familiar with animals, including the spider's silk screen, solitary insects of the building instinct, honeycomb and ant hole, a wide variety of bird's nest, to find out from these animal instinct, cognitive process and the social patterns behind the wisdom, the extended construction blueprint, Even to the beauty of nature, the author does not forget to explore the essence of human wisdom from the observation of animal architecture.

推荐理由

Reason for Recommendation 

建筑学有关“建造”的讨论，难免会掺杂进历史和文化等维度的内容，显得纠缠不清。但在“动物建筑学”中，我们突然可以排除一切干扰，专心思考一下完全基于材料与工具本身的“纯粹”建造活动。

The discussion about "construction" in architecture is inevitably mixed with the content of history and culture, which seems to be entangled. But in "zooarchitecture," we can suddenly cut out all distractions and focus on "pure" construction based entirely on the materials and tools themselves.

05

《地理媒介: 网络化城市与公共空间的未来》

[澳] 斯科特·麦夸尔

简介

Description 

这是一本相当烧脑的书。

何为地理媒介？麦夸尔说：地理媒介是“在现代城市中与不同媒介平台的空间化过程紧密相关的新技术条件”，表现为四个交叉关联的维度：融合、无处不在、位置感知和实时反馈。地理媒介带来了什么？麦夸尔又说：网络数字媒介在城市空间中扩张，成为强大的“时空机器”，极大地扩展了人类的感官、社会组织和文化规范。媒介与城市社会空间的关系究竟发生了什么变化？地理媒介的提出有什么意义？对社会交往过程中“中介”（media）与“直接”（immediacy）之间日益复杂的关系，经典的媒介概念与传播再现理论已经无法解释，需要新概念如“地理媒介”和新解释范式。麦夸尔用《地理媒介》这本书为传播学者展现了深广的学术图景：现象、问题、理论、研究方法、解释方式，迥异于以往的传播研究。阅读本书，如同穿越观念的迷宫，为你带来智力冒险的乐趣。

This is quite a mind-numbing book.

What is geographic media? According to McQuarr, geographic media is "a new technological condition closely related to the spatialization process of different media platforms in modern cities", which is represented by four intersecting dimensions: convergence, ubiquity, location awareness and real-time feedback. What does geographic media bring? The expansion of digital media in urban space has become a powerful "time machine" that has greatly expanded human senses, social organization and cultural norms. What changes have taken place in the relationship between media and urban social space? What is the significance of the proposal of geographical media? The increasingly complex relationship between "media" and "immediacy" in the social interaction process could not be explained by the classical media concept and communication reproduction theory, and new concepts such as "geographic media" and new interpretation paradigm were needed. With the book Geographical Media, McQuarr presents a wide and profound academic picture for communication scholars: phenomena, problems, theories, research methods and interpretation methods, which are different from previous communication studies. Reading this book is an intellectual adventure, like navigating through a maze of ideas.

推荐理由 

Reason for Recommendation 

当建筑学还没来得及针对网络等新传播媒介展开有效的思考，传播学领域却已在近几年开始讨论城市空间的议题，麦考尔的著作让我们看到了传统城市建筑学框架被新技术彻底颠覆的可能性。

While architecture has not yet had time to think effectively about new communication media such as the Internet, the field of communication has begun to discuss the issue of urban space in recent years. McCall's work makes us see the possibility of the traditional framework of urban architecture being completely overturned by new technologies.

06

《向拉斯维加斯学习》

[美] 文丘里

简介

Description 

《向拉斯维加斯学习》(原修订版)与文丘里所著的《建筑复杂性与矛盾性》被认为是现代主义建筑思潮的宣言，文丘里反对密斯·凡德罗的名言“少就是多”，认为“少就是光秃秃“。他认为群众不懂现代主义建筑语言，群众喜欢的建筑往往形式平凡、活泼、装饰性强，又具有隐喻性。他认为赌城拉斯维加斯的面貌，包括狭窄的街道、霓虹灯、广告版、快餐馆等商标式的造型，正好反映了群众的喜好，因此他在《向拉斯维加斯学习》(原修订版)中呼吁建筑师要同群众对话，接受群众的兴趣和价值观，向拉斯维加斯学习。

"Learning from Las Vegas" (originally revised) and "Architectural Complexity and Contradiction" by Venturi, who rejected Mies van der Rohe's dicta "Less is more" and argued that "less is bald," are considered declarations of modernist architectural thought. He believes that the masses do not understand the language of modernist architecture, and the buildings they like are often ordinary, lively, highly decorative and metaphorical. He thinks that the face of Las Vegas, including the narrow streets, the neon lights, advertising version, fast food restaurants, such as the modelling of trademark, just reflects the preferences of the masses, so he in "learning from Las Vegas" (the original edition) called for the architect to dialogue with the people, accepts the populace to the interests and values, learn from Las Vegas.

推荐理由 

Reason for Recommendation 

当下，互联网技术生产出了无比丰饶的虚拟现实，它构成了对于建筑学实体性建造的冲击，更加催生出了“网红建筑”这种尚未被学科所接纳的“杂交品种”。面对这前所未有的动荡环境，我们应该重温文丘里的这部经典，回看一下那个早就“符号胜过实体”的拉斯维加斯。

At present, The Internet technology has produced an incomparable abundance of virtual reality, which constitutes an impact on the substantive construction of architecture and even gives birth to "Internet celebrity architecture", a "hybrid breed" that has not been accepted by the discipline. In the face of unprecedented turbulence, we should revisit Venturi's classic and look back at Las Vegas, where signs trumps substance.

07

《Eyes That Saw: Architecture after Las Vegas》

 [瑞士] Stanislaus von Moos / Martino Stierli

简介 

Description

在1968/69年美国大学学生骚乱的高峰期，Robert Venturi和Denise Scott Brown，以及Steven Izenour，在耶鲁大学建筑学院追求以拉斯维加斯为主题的设计和研究工作室。这些研究成果被浓缩在《从拉斯维加斯学习》一书中，这本书在1972年首次出版时几乎立刻成为经典。这篇论文激动了20世纪70年代的建筑界，至今仍对建筑师、教师和理论家有影响。

大约四十年后，《看见的眼睛：拉斯维加斯之后的建筑》提供了由著名的艺术和建筑史学者、杰出的建筑师和艺术家撰写的丰富的插图文集，从不同的角度研究拉斯维加斯的学习和它的遗产。每一章都是基于它对建筑、城市设计、视觉艺术，甚至对历史的深远影响。与此同时出版的还有文丘里、宾夕法尼亚大学斯科特·布朗联合档案馆(Scott Brown & Associates Archive)的文件，以及1972年《从拉斯维加斯学习》(Learning from Las Vegas)出版后国际媒体反响的插图年表。

At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book Learning from Las Vegas that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day.

Some forty years later, Eyes that Saw: Architecture after Las Vegas offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.

推荐理由

Reason for Recommendation 

这是一本可以帮助我们重新理解《向拉斯维加斯学习》的著作。

This is a book that can help us reunderstand "Learning from Las Vegas."

08

《技术与时间》

[法] 贝尔纳·斯蒂格勒

简介 

Description

本书《技术与时间1.艾比米修斯的过失》是法国当今著名哲学家贝尔纳·斯蒂格勒的重要论著《技术与时间》的第一卷。作者在书中，综合以西蒙栋、吉尔和勒鲁瓦-古兰等学者的技术进化理论和以海德格尔为代表的生 存现象学理论，从人类固有的“缺陷存在”和“代具性”这两个品质出发，通过阐释希腊神话中普罗米修斯和爱比米修斯兄弟的故事，对技术与时间在人类本性中的作用和地位进行重新讨论，从而建立技术与时间二者和人的本性之间新的关系。本书《技术与时间1.艾比米修斯的过失》作者对偏爱走极端的法国知识分子本身进行了剖析和批判，研是究法国现代思想史的重要参考资料，也是知识社会学的名著。在许多情况下，深刻的思想往往采取片面的姿态，左派的作品是这样，右派的作品也是如此。

作为德里达的继承人，斯蒂格勒在技术命运的哲学分析领域开始了一个转折。

——戈里高利 沙东斯基

This book technology and Time 1. The Fault of Epimetheus is the first volume of the important work Technology and Time by Bernard Stigler, a famous French philosopher. The author in the book, integrated with Simon, Jill and le Roy - grant scholars such as technological evolution theory and represented by heidegger's phenomenological theory, from the human inherent "defect" and "generation" the two quality, through the interpretation of the Greek mythology, Prometheus and the story of love than m Theseus brother, This paper discusses the role and position of technology and time in human nature and establishes a new relationship between technology and time and human nature. The author of this book, Technology and Time 1. The Fault of Epimetheus, analyzes and criticizes the French intellectuals who prefer to go to extremes. It is an important reference for the history of Modern French thought and also a masterpiece of the sociology of knowledge. In many cases, profound thoughts tend to take a one-sided stance, and this is true of the writings of the left as well as of the right.

As Derrida's successor, Stigler began a turning point in the philosophical analysis of the fate of technology. -- Gregory Sadonsky

推荐理由

Reason for Recommendation 

这个书单事实上是一个递进的过程，从建筑学的经典议题通往针对当代的思考，斯蒂格勒的著作可以帮助我们建立新的思考范式，即工业革命之后，人与技术的恰当关系。我们需要在此基础上重新思考何谓日常，何谓身体，何谓建筑学。

The list is actually an evolutionary process, moving from classical issues of architecture to contemporary thinking, and Stigler's work can help us establish a new paradigm of thinking about the proper relationship between man and technology in the aftermath of the Industrial Revolution. On this basis, we need to rethink what is everyday, what is body, what is architecture.