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屈祖强

Qu Zuqiang

英国皇家特许注册建筑师 

国家一级注册建筑师

硕士  一等荣誉毕业于英国利物浦大学

AUP凹叵建筑创始人，毕业于利物浦大学建筑学专业，接受国际一流建筑学教育。研究生期间师从Professor Mike Knight与时任利物浦大学建筑学院院长Professor Andrew Brown，主要研究Parametric与中国传统建筑和中国当代/现代建筑的关系。并赴香港中文大学建筑学院合作项目，交流学习。曾就职于上海筑序建筑设计有限公司、后创立上海易尚建筑设计顾问有限公司，参与并完成国内外众多大型建筑项目设计且已落地并投入使用。从英国深造归国后就职于四川成都某大型设计院，参与各类公建项目设计及西南地区住宅项目设计。领导设计团队于2020年6月入选YAC国际青年建筑师设计竞赛入围奖。

Royal Chartered Architect
Master's first class honours, graduated from the University of Liverpool, UK

Founder of AUP Architects, graduated from the University of Liverpool with a major in architecture and received world-class architecture education. During the postgraduate period, he studied under Professor Mike Knight and then Dean of the School of Architecture at the University of Liverpool, Professor Andrew Brown, mainly studying the relationship between Parametric and Chinese traditional architecture and Chinese contemporary/modern architecture. And went to the School of Architecture of the Chinese University of Hong Kong to cooperate in a project for exchange and study. He once worked for Shanghai Zhuxu Architectural Design Co., Ltd., and later founded Shanghai Yishang Architectural Design Consulting Co., Ltd., participated in and completed the design of many large-scale construction projects at home and abroad, which have been implemented and put into use. After studying in the UK and returning to China, he worked in a large design institute in Chengdu, Sichuan, and participated in the design of various public construction projects and the design of residential projects in the southwest region. The design team he lead  was selected as the finalist of the YAC International Young Architects Design Competition in June 2020.

01

Grasshopper参数化设计教程

祁鹏远

简介 

Description

《Grasshopper参数化设计教程》（化名“数字冥想”）的整理和撰写是由NCF参数化建筑联盟的站长祁鹏远（Skywoolf）独自完成的。作者至今已从事参数化领域网络公益教学及交流有9年光景，并同时拥有6年一线方案创作的实际工程的经验。这本书的内容就是作者这些年思考参数化工具如何应用及教学的一次系统总结。相信它的问世，无论是对想学参数化的萌新，还是对这个领域的技术从业者都能带去一定的帮助。因为此书不单单包含了软件的基础普及教学，更多的是记载一位技术达人多年来在C+Z Studio从事设计创作实践的领悟，以及组织NCF参数化建筑联盟网络技术交流的结晶。

The compilation and writing of this book was done by Qi Pengyuan, the webmaster of the NCF Parametric Architecture Alliance, alone. The author has been engaged in online public welfare teaching and communication in the field of parameterization for 9 years, and at the same time has 6 years of practical engineering experience in the creation of first-line schemes. The content of this book is a systematic summary of the author's thinking about how to apply and teach parametric tools over the years. I believe that its advent can bring certain help whether it is for the initiation of parametric learning or for technical practitioners in this field. Because this book not only includes the basic popularization of software teaching, but also records the insights of a technical expert who has been engaged in design and creation practice in C+Z Studio for many years, and the crystallization of the organization of NCF parametric building alliance network technology exchanges.

幾何運算設計GH PYTHON                              

胡介璿 / 李宸安

简介 

Description

本书专为Rhino与Grasshopper软体的使用者所编写，探讨在Rhino与Grasshopper环境下，撰写Python程式语言来进行几何图形设计方法。以Rhino6里内建Grasshopper参数建模工具里的GhPython元件作为主要工具。近年来不断出现对于现有参数化工具已经无法满足的使用者，即是当使用者探索完Grasshopper元件、甚至是Grasshopper的外挂元件之后，自然而然地开始对于各种功能的元件背后的运算逻辑产兴趣与关注，亦想尝试开发属于自己的客制化功能元件；两位编著者依据多年的参数教学经验整理出深入浅出的案例，从认识Python程式语言、软体环境介绍、运算逻辑到演算法设计，由简入繁，是为想进一步深入演算式设计方法的设计相关使用者所编著的入门教程。

This book is specially written for users of Rhino and Grasshopper software. It discusses how to write Python programming language for geometric design in the environment of Rhino and Grasshopper. The GhPython component in the built-in Grasshopper parametric modeling tool in Rhino6 is used as the main tool. In recent years, users who have been unable to satisfy the existing parameterization tools continue to appear. After users have explored the Grasshopper components, and even the external components of Grasshopper, they naturally begin to be interested and concerned about the arithmetic logic behind the various functional components, and also want to try to develop their own customized functional components. Based on years of experience in parameter teaching, the two editors sorted out profound and simple cases, from understanding Python programming language, software environment introduction, calculation logic to algorithm design, from simple to complex. This is an introductory tutorial compiled for related users who want to go deeper into the algorithmic design method.

推荐理由

Reason for Recommendation 

第一本是关于参数化的书，其实是两本，我认为这两本应该是绑在一起的。在我过去的工作中时常会用到参数化辅助设计的软件用于设计和研发，使朋友们都认为我在参数化方面很有造诣，所以常被人问到怎么自学入门。我在国外上学期间跟我的导师讨论过这个问题，导师认为参数化技术发展太快，更新也太快，如果说想要写一本关于参数化设计的书籍，从构思到写完可能技术已经又已经迭代了。但我认为我选择的这两本是非常适合想要自学入门的人阅读的，一本是关于Grasshopper基础的，另一本是关于GH Python的。

The first book about parameterization is actually two books. I think the two books should be tied together. In my past work, I often used parametric aided design software for design and research and development. My friends thought that I was very accomplished in parameterization, so I was often asked how to learn by myself. I discussed this issue with my instructor when I was studying abroad. The instructor thought that the development of parametric technology was too fast and the update was too fast. If you want to write a book on parametric design, from conception to completion, it may be technical Iterated again. But I think the two books I chose are very suitable for people who want to learn by themselves. One is about the basics of Grasshopper and the other is about GH Python.

02

桑丘-玛德丽德霍斯事务所设计作品

郑时龄 等编

简介 

Description

桑丘-玛德丽德霍斯事务所是当代西班牙新生代的建筑事务所。他们的作品不以大取胜，不肆张扬，但是以其对空间关系和建筑的外部形式的探索打动人们，让人们思索。他们的作品具有深刻的理念，在历史的高度上进步，具有不可估量的发展前景。

S.M.A.O is a contemporary Spanish architecture firm of the new generation. Their works do not win big or show off, but with their exploration of the spatial relationship and the external form of the building, they move people and make people think. Their works have profound ideas, have progressed at the height of history, and have immeasurable development prospects.

推荐理由

Reason for Recommendation 

第二本书《桑丘-玛德丽德霍斯事务所设计作品》是一本老书，对这本书记忆深刻的是当我在多年后，再一次翻看的时候，突然将我拉回到了大学时期。究其原因我想可能是因为我当时工作的内容跟所学相去甚远，已经很久没有去思考空间，比例，点线面对位，光影关系等等。三年前的我再一次翻阅这本书的时候，让我对我的工作产生了怀疑。我想对大多数建筑师而言，桑丘-玛德丽德霍斯事务所的作品，是建筑师在设计生涯中必须要去了解和学习的内容，是值得细细品读的书。

The second book is an old book. What is deep in my memory of this book is that when I read it again after many years, it suddenly pulled me back to college. I think the reason may be because the content of my work at the time was far from what I learned, and it has been a long time since I thought about space, proportion, point-line-to-face position, light-shadow relationship, and so on. When I read this book again three years ago, it made me doubt my work. I think for most architects, the works of S.M.A.O are something that architects must understand and learn during their design career, and they are worthy of careful reading.

03

The Mathematics of the Ideal Villa and Other Essays

Colin Rowe

简介 

Description

这本重要建筑理论家的论文集介绍和比较了帕拉迪奥和勒·柯布西耶的设计，讨论了风格主义和现代建筑、19 世纪的建筑词汇、芝加哥建筑、新古典主义和现代建筑以及乌托邦建筑。

This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.

推荐理由

Reason for Recommendation 

第三本书得来不易，是我托一位学弟从爱丁堡购买再邮寄回国的。前文有讲到我对工作产生了怀疑，这本书更是让我在很长的一段时间里不太敢动手做设计。常常会思考建筑应该理性还是非理性？没有比例关系的建筑，还是建筑吗？柯布西耶是否借鉴了帕拉第奥的比例？密斯是否解释清楚了中心性？带着这些问题我结合实践做了一些研究，还写了一篇文章：“IMAGINATIONS FROM COLIN ROWE”来记录自己的观点。我认为能引发思考的书一定是好书，对我个人而言，这本书也帮我厘清了未来的方向。

The third book was hard to come by. I asked a junior fellow student to buy it from Edinburgh and mail it back to China. I mentioned in the previous article that I had doubts about my work, and this book made me not daring to do design for a long time. I often think about whether architecture should be rational or irrational? Are buildings without proportional relations still buildings? Did Le Corbusier borrow Palladian's proportions? Did Mies explain centrality clearly? With these questions, I did some research in combination with practice, and also wrote an article: "IMAGINATIONS FROM COLIN ROWE" to record my views. I think a book that can stimulate thinking must be a good book. Personally, this book also helped me clarify the direction of the future.

04

人文主义时代的建筑原理

[德] 鲁道夫·维特科尔

简介

Description 

鲁道夫维特科尔编的《人文主义时代的建筑原理》最初是于1949年作为《瓦尔堡学院研究》第19卷出版的。第二版则是由Alec Tiranti有限公司于1952年出版，该出版社随后于1962年出了修改过的第三版。此版由Academy Editions出版社于1962年再版。1973年，Academy Editions出版社为此书图片进行了重新标号并将之直接插入正文内，以这样新版式的完整版，发行了本书的第四版。 这一版本里包含了一些维特科尔教授迄今为止尚未发表过的论比例的讲演稿和文章。这些文本是由他的遗孀慷慨提供给我们的。附录四是我们依据维特科尔不同手稿进行摘录编辑成文的。

This book was first published in 1949 as the 19th volume of "Warburg College Studies". The second edition was published by Alec Tiranti Co., Ltd. in 1952, and the publishing house subsequently published a revised third edition in 1962. This edition was republished by Academy Editions in 1962. In 1973, the Academy Editions Press re-labeled the picture of the book and inserted it directly into the text. The fourth edition of the book was released with the full version of this new format. This version contains some lectures and articles on proportions that Professor Witker has not yet published. These texts were generously provided to us by his widow. Appendix 4 is an excerpt and edited article based on different manuscripts of Witker.

推荐理由

Reason for Recommendation 

第四本《人文主义时代的建筑原理》是回顾了第三本书后，再往前的探索，人文主义时代是美丽的时代，人性更有尊严，文化也更宽容。设计师关心人体与比例、数学与几何、整体性与相似性等的关系，这是一个理想的时代。书中讲述有建筑与音乐的比例关系，也是我未来想要尝试的一个方向。这本书也值得一读。

The fourth book Architectural Principles in the Age of Humanism is an exploration after reviewing the third book. The era of humanism is a beautiful era, where humanity is more dignified and culture is more tolerant. Designers care about the relationship between human body and proportion, mathematics and geometry, integrity and similarity, etc. This is an ideal era. The book tells about the proportional relationship between architecture and music, which is also a direction I want to try in the future. This book is also worth reading.

05

作为隐喻的建筑

[日]柄谷行人

简介 

Description

这是一部关于解构主义的理论著作，集中反映了1980年代身处后现代思潮旋涡中的作者在日本语境下对“解构”方法的独特思考。作者认为，西方20世纪人文和自然科学领域中普遍存在一种“形式化”的倾向，但这种“形式主义”革命不仅没能真正颠覆传统形而上学，反而使种种思想努力落入“结构”的深渊。而出路则在于通过“世俗批评”，在马克思“社会性外部”和维特根斯坦“*他者”的概念之上重建作为批判理论的“解构主义”方法。

This is a theoretical work on deconstructionism, which focuses on the author's unique thinking on the "deconstruction" method in the Japanese context in the vortex of postmodern thought in the 1980s. The author believes that there is a general tendency of "formalization" in the humanities and natural sciences in the 20th century in the West, but this "formalist" revolution has not only failed to truly subvert traditional metaphysics, but has made all kinds of thinking try to fall into the abyss of "structural". The way out lies in the reconstruction of the "deconstructivism" method as a critical theory on the basis of Marx's "social externality" and Wittgenstein's "*other" concepts through "secular criticism".

推荐理由 

Reason for Recommendation 

第五本是柄谷行人所著的《作为隐喻的建筑》，从根本上来看好像跟建筑并无太多关系，其内涵我觉得是更偏哲学，更为上层思维模式，是作者对“解构”方法的思考。书中所讲的“建筑”也不是真正意义上的建筑，是被解构和批判的一种“结构”。这本书是一次交流会时王亥老师推荐的，由于好奇便阅读了，以我目前的阅历恐怕还未能够完全领悟作者的意思，但是作为设计师我想我们应该也会遇到“维特根斯坦的房子”吧。

Fundamentally, this book does not seem to have much to do with architecture. I think its connotation is more philosophical and a higher-level thinking mode. It is the author's thinking on the "deconstruction" method. The "architecture" mentioned in the book is not a real architecture, but a "structure" that has been deconstructed and criticized. This book was recommended by Teacher Wang Hai at an exchange meeting. I read it out of curiosity. Based on my current experience, I may not be able to fully understand the author’s meaning, but as a designer, I think we should also encounter "Wittgen Stan’s house".

06

明月构想

刘家琨

简介

Description 

《明月构想》是著名建筑师刘家琨创作的一部带有强烈理想主义气质的反乌托邦小说。建筑师欧阳江山要建立一座新城，用建筑重塑人们的灵魂。这个异想天开的计划，被命名为“明月构想”。这位强硬的理想主义者一步步逼近成功，最终却哗然失败，他的失败比他的成功更有意义。这是一本只有建筑师才能写出来的小说，充满了明月新城的迷人细节——这座从未有过的“人间天堂”在他的笔下闪闪发光；而结尾那不期而至的悲壮，更像是为一代人的理想作结。

This book is a dystopian novel with a strong idealistic temperament created by the famous architect Liu Jiakun. Architect Ouyang Jiangshan wants to build a new city and use architecture to reshape people's souls. This whimsical plan was named "Mingyue Conception". This tough idealist is approaching success step by step, but in the end he fails in an uproar. His failure is more meaningful than his success. This is a novel that only an architect can write. It is full of the charming details of Mingyue New City—this "paradise on earth" that has never existed before is shining in his pen; and the unexpected tragedy at the end, It's more like ending up with the ideals of a generation.

推荐理由 

Reason for Recommendation 

第六本是家琨老师早年所著的《明月构想》，其实真正吸引我的是书本最后的后记：我在西南做建筑吗？对我而言这本书有着特殊的意义，它帮我坚定了我的想要做独立建筑师的想法。因为我也想在西南做建筑、我也要有更大的办公桌、我也想用自己的设计挣钱。书本对于建筑师来讲，可以说是一例不算硬菜的主菜，所以就个人情感来说这本书也值得推荐。

The sixth book is Mingyue Conception written by Mr. Jia Kun in his early years. In fact, what really attracted me was the last postscript of the book: Am I doing architecture in the Southwest? For me, this book has a special meaning. It helped me strengthen my desire to be an independent architect. Because I also want to build in the Southwest, I also want to have a bigger desk, and I also want to make money with my own design. For architects, the book can be said to be an example of a main course that is not a hard dish, so in terms of personal emotions, this book is also worth recommending.

07

江南园林志

童寯

简介 

Description

一本论述和介绍中国苏杭沪宁一带古典园林的专门著作，中国建筑学家童寯著。作者在抗日战争前遍访江南名园，进行实地考察和测绘摄影，以多年研究心得于1937年写成此书，1963年由中国工业出版社出版，1984年，中国建筑工业出版社再版。

本书分文字和图片两部分。文字部分包括造园、假山、沿革、现状、杂识五篇，论述中国造园的传统特色和一般原则，阐释假山艺术，介绍江南各地著名园林的沿革、现状、艺术特点并作出评价。第二版增收《随园考》一文，增补了部分图片，共收图片340多幅。本书是中国最早采用现代方法进行测绘、摄影的园林专著。书中述及的一部分园林现已残破或者废弃，这方面的资料尤具历史价值。

A special work on classical gardens in Suzhou, Hangzhou, Shanghai and Nanjing, China, written by Chinese architect Tong Liao. The author visited famous gardens in the south of the Yangtze River before the War of Resistance Against Japan, conducted field investigations and surveyed and photographed. Based on years of research experience, he wrote this book in 1937. It was published by China Industry Press in 1963 and republished by China Construction Industry Press in 1984.

This book is divided into two parts: text and pictures. The text part includes five chapters: gardening, rockery, evolution, current situation, and miscellaneous knowledge, discussing the traditional characteristics and general principles of Chinese gardening, explaining the art of rockery, introducing and evaluating the evolution, current situation, and artistic characteristics of famous gardens in the south of the Yangtze River. In the second edition, the article "Exams with the Garden" was added, and some pictures were added. A total of more than 340 pictures were collected. This book is the earliest garden monograph in China that adopted modern methods for surveying, mapping and photography. Some of the gardens mentioned in the book have now been broken or abandoned, and the materials in this area are of particular historical value.

推荐理由

Reason for Recommendation 

第七本是《江南园林志-第二版》，第二版是带有时代印记的，旧时的装订方式和折叠内页的大版面图纸，可以让人酣畅淋漓的感受园林。在我的本科时期，从大二开始接触到园林就喜欢上了逛园子，时常周末便乘货车前往苏州，住在园林边附近，早起逛没有游客的园子，那时候的苏州也没有太过商业化。这本书也是过去两年里常常陪伴我度过艰难时期的“解压神书”，每一次翻阅都会找回逛园子的感觉，适意。

The second edition of this book bears the imprint of the times. The old binding method and the large-format drawings with folded inner pages can make people feel the garden heartily. In my undergraduate years, I loved visiting gardens when I first came into contact with gardens in my sophomore year. I often took a truck to Suzhou on weekends and lived near the gardens. I woke up early and wandered around the gardens with no tourists. At that time, Suzhou was not too commercial.  This book is also a "sacred book of decompression" that has often accompanied me through difficult times in the past two years. Every time I read it, I will find the feeling and comfort of walking around the garden.

08

直角之诗

[法]勒·柯布西耶                          

潘博 (译）

简介 

Description

从1947年到1953年，勒·柯布西耶（Le Corbusier, 1887—1965）创作了19幅石版画和对应数量的配画诗，全书的结构以交错排列的19幅石版画的树状结构（在全书目录前和正文最后各有一张模仿东正教圣像屏的手绘结构图帮助我们理解全书）来建立，并且按字母A—G依次被分为7个横列。每个横列依次呼应环境、思想、肉体、融合、特征、奉献和工具。这既可以被看作他的世界视景的艺术实现，也可以被看作一种自画像。这部诗画集或许是理解这位建筑师理论的最佳途径。

From 1947 to 1953, Le Corbusier (1887—1965) created 19 lithographs and a corresponding number of poems. The structure of the book is a tree-like structure of 19 lithographs arranged in a staggered manner. (There is a hand-drawn structural drawing imitating the Orthodox icon screen in the front of the catalog and at the end of the text to help us understand the book) to build, and it is divided into 7 rows according to the letters A-G. Each row echoes the environment, thoughts, body, integration, characteristics, dedication and tools in turn. This can be seen as an artistic realization of his world vision, or as a kind of self-portrait. This collection of poems and paintings may be the best way to understand the architect's theory.

推荐理由

Reason for Recommendation 

将柯布西耶作为偶像的建筑师应该有很多，我也不例外。在英国留学期间抽空前往欧洲朝圣，游历了好些柯布的作品。初看版画时会有不解，诗句稍显晦涩。现在回过头阅读这部版画配画诗会感受到不一样感受，从版画中看到了朗香教堂、马赛公寓、模度小人、五要素、自画像等等。像圣像屏一样的格子图我认为是柯布的建筑思想体系的结构图，七个部分或许是搭建结构的核心点。不管我理解的对与不对，我觉得每一位建筑师都应该去思考建筑，通过实践也能建立自己的建筑思想体系。

There should be many architects who regard Le Corbusier as an idol, and I am no exception. During my study in the UK, I took time to make a pilgrimage to Europe and traveled a lot of his works. When I first look at the prints, I feel puzzled, and the verses are slightly obscure. Now when I look back and read the poem with this print, I will feel different feelings. From the print I can see the church of Langxiang, the apartment in Marseille, the model villain, the five elements, the self-portrait, and so on. I think the lattice diagram like the icon screen is the structural diagram of Cobb's architectural thought system. The seven parts may be the core points of the structure. No matter what I understand is right or wrong, I think every architect should think about architecture and build his own architectural thought system through practice.