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华黎

Hua Li

麓湖A7地块酒店C设计师

迹·建筑事务所（TAO）创始人及主持建筑师

清华大学和美国耶鲁大学建筑学院

建筑学硕士学位

硕士毕业后曾实践于纽约，2009年在北京创立TAO。在华黎的建筑观中，建筑被视为一个进化的有机体，与其环境构成不可割裂的整体，而非仅仅是一个形式物体。TAO的实践通过深入挖掘场所意义和合理运用此时此地的条件，营造根植于当地文化与自然环境的建筑和景观，并诠释其营造过程中涉及的丰富意义。场所精神、场地及气候回应、当地资源合理利用，以及因地制宜的材料与建造方式等命题的探讨，构成了TAO每个项目工作的核心内容。

Founder and chief architect of Tao

（Trace Architecture Office）

Tsinghua University and Yale School of Architecture

Master of Architecture

Hua Li practiced in New York and Beijing before founding TAO (Trace Architecture Office) In 2009. He visions architecture as an evolving organism, being an inseparable whole with its environment, rather than just a formal object. With most projects positioned in particular cultural and natural settings in China, his practice reflects the essence of place; makes architecture deeply rooted in its cultural and environmental context with the awareness of site history, geography, and local condition. The sense of place, climate, topography, geology, local resource, construction method, are crucial factors concerned and explored in every TAO project.

01

Alvaro Siza

Antonio Angelillo

简介 

Description

这本书是西扎的最重要的文本的综合，其中包含许多以前未出版的作品。他的作品以主题为中心，配以说明性的素描，清晰地唤起了他的美学价值观和建筑的简洁与纯粹。

安东尼奥·安吉利洛是本书的编辑，他写了许多关于葡萄牙建筑的文章。自1988年以来，他一直与西扎工作室合作，重建里斯本的历史中心。

Here, presented for the first time, is a comprehensive selection of Siza's most significant texts, many of them previously unpublished. Organized thematically and accompanied by explanatory sketches, his writings lucidly evoke his aesthetic values and the simplicity and purity of his architecture.

Antonio Angelillo is the Editor of Casabella and has written many articles on Portuguese architecture. Since 1988 he has collaborated with the Siza studio, on the reconstruction of Lisbon's historical center.

推荐理由

Reason for Recommendation

本书中，葡萄牙建筑师阿尔瓦罗·西扎坦率地写下了他的个人思想，包括渗透到他的当代建筑实践中的复杂性和艺术疑虑。

Throughout his career, Portuguese architect Alvaro Siza has candidly written down his private thoughts on the complexities and artistic doubts which permeate contemporary architectural practice. 

02

Thinking Architecture

Peter Zumthor

简介 

Description

这位获得普利兹克奖的建筑师在本书中深入了探讨了是什么推动了他的设计过程，解释了他是如何创造环境，以不同的方式吸引游客的心和思想，同时灌输一种存在感的。在第三版中，多了两篇额外的文章，其中包括“建筑和景观”和“莱斯房屋”。

The Pritzker-winning architect offers insight into what motivates his design process, explaining how he creates environments that appeal to a visitor's heart and mind in different ways while instilling a sense of presence, in a third edition that has two additional essays including "Architecture and Landscape" and "The Leis Houses."

推荐理由

Reason for Recommendation

本书作者为2009年的普利兹克奖得主彼得·卒姆托，他亦是最具争议的建筑师之一。本书通过一系列随笔，阐述了卒姆托的极简风格，使读者可以直观地走近他的思想。他阐明了影响他设计的各种因素，以及这些建筑是如何吸引访客的心灵，如何营造空间氛围的。

The author of this book is Peter Zumthor, winner of the Pritzker Prize in 2009. He is also one of the most controversial architects. Through a series of essays, this book expounds on Zumthor's minimalist style, so that readers can directly approach his thoughts. He explained the various factors that influenced his design, and how these buildings attracted the hearts of visitors and created a space atmosphere.

03

Architecture Without Architects

Bernard Rudofsky

简介 

Description

原始建筑的美常常被认为是偶然的，但今天我们认识到它是一种艺术形式，是人类智慧应用于人类独特的生活方式的结果。事实上，鲁道夫斯基（Bernard Rudofsky）把那些没有受过教育的建设者的哲学和实践知识看作是被困在混乱城市中的工业工人尚未开发的灵感源泉。

The beauty of primitive architecture has often been dismissed as accidental, but today we recognize in it an art form that has resulted from human intelligence applied to uniquely human modes of life. Indeed, Rudofsky sees the philosophy and practical knowledge of the untutored builders as untapped sources of inspiration for an industrial man trapped in his chaotic cities. Features 156 halftones.

推荐理由

Reason for Recommendation

在这本书中，作者跳出狭窄的建筑历史学科，将“平平无奇”的普通建筑带到读者眼前。他向读者介绍了不由建筑师设计，而是由遗产传承的普通人自发性活动产生的建筑。

In this book, Bernard Rudofsky jumps out of the narrow discipline of architectural history and brings ordinary architecture to readers. He introduces to readers the architecture that is not designed by architects but produced by the spontaneous activities of ordinary people who inherit the heritage.

04

Exit Utopia: Architectural Provocations 1956-76

Schaik, Martin Van (EDT)/ Macel, Otakar (EDT)

简介 

Description

通过国际化的范围和详尽的细节，本书探讨了“空想”和“乌托邦”建筑在现代主义时代的最后关头，恰逢20世纪60年代和70年代的文化剧变和社会转型。通过重温荷兰画家康斯坦特 (Constant Nieuwenhuys) 的代表作《新巴比伦》，这本散文集重新审视了这样的背景之下的一批具有远见的建筑师及艺术家的作品。他对情境主义城市环境的看法使他成为当时最有影响力的艺术家之一。及时、深入的论文和详尽的项目文件记录了前卫建筑项目的衰落。其结果是一个重要的建筑理论和历史的工作，这将使任何研究过去和梦想明天的人感兴趣。

International in scope and exhaustive in detail, the book explores important exponents of "visionary" and "utopian" architecture in the closing juncture of the modernist era, coinciding with the cultural upheavals and social transformations of the 1960s and '70s. By revisiting "New Babylon," the magnum opus of the Dutch painter Constant Nieuwenhuys, whose vision of a situationist urban environment made him one of the most influential artists of this time, this collection of essays re-examines decisive work by Yona Friedman, the Archigram group, the Italian Radicals Superstudio and Archizoom, Koolhaas/Zenghelis and the Office for Metropolitan Architecture, and Léon Krier. Timely, in-depth essays and exhaustive project documentations trace the decline of avant-garde projects in architecture. The result is a significant work of architectural theory and history, which will interest anyone studying ideologies of the past and dreaming of the cities of tomorrow.

推荐理由 

Reason for Recommendation

本书记录了二十世纪 60 至 70 年代文化动荡的社会背景下一批具有洞察力和批判性的建筑师及艺术家对城市未来的构想与观念，看似疯狂并带有乌托邦色彩的内容，却极大地拓展了对未来城市想象的空间，引发对城市空间形态与其内在机制之间关系更深刻的思考。

This book records the visions and ideas of a group of insightful and critical architects and artists on the future of the city in the social background of cultural turmoil in the 1960s and 1970s. The seemingly crazy and utopian contents greatly expand the space of imagination of the future city and lead to more profound thinking about the relationship between the urban spatial form and its internal mechanism.

05

Sverre Fehn: The Pattern of Thoughts

Per Olaf Fjeld

简介

Description

作为1997年普利兹克建筑奖的获得者，这一职业的最高荣誉——挪威建筑师斯维尔费恩（Sverre Fehn）不仅在他的祖国，而且在全球都产生了影响。费恩受到斯堪的纳维亚令人惊叹的景观和光照条件的强烈影响。他设计的特点是非常尊重材料和结构。作为奥斯陆建筑与设计学院（Oslo School of Architecture and Design）的资深教授，他提炼了自己复杂的创作过程，将自己的思想和理念传递给了新一代的建筑师。

这项对费恩作品的研究提供了对这个伟大的战后现代主义者世界的亲密一瞥。作者在涵盖了费恩的所有主要项目同时，还展示了敏锐的评论。

As a recipient of the 1997 Pritzker Architecture Prize—the profession’s highest honor—Norwegian architect Sverre Fehn has had an impact not only in his home country but around the globe. Fehn has been strongly influenced by Scandinavia’s breathtaking landscape and light conditions. His design sensibility is characterized by great respect for material and construction. As a professor of long-standing at the Oslo School of Architecture and Design, he has distilled his complex creative process, passing his thoughts and philosophies to new generations of architects.

This study of Fehn’s work provides an intimate glimpse into the world of this great postwar modernist. Author Per Olaf Fjeld presents both biography and perceptive critique as he covers all of Fehn’s major projects, built and unbuilt, from world-renowned museums to lesser-known houses.

推荐理由 

Reason for Recommendation

本书详细地回顾了1997年的普利兹克奖得主斯维勒·费恩的建筑生涯。作为对费恩的深度研究出版物，内容涉及了其所有主要设计作品、学术文章以及设计草图，阐释了其极具诗意的建筑哲学，对场所的尊重与思考，并如何开创性地将现代建筑与北欧地域文化相结合并融入到空间秩序中。

This book gives a detailed review of the architectural career of Sverre Fehn, winner of the Pritzker Prize in 1997. As an in-depth research publication of Finn, it covers all his major design works, academic articles, and design sketches, explains his poetic architectural philosophy, respect and thinking of place, and how to creatively integrate modern architecture with the Nordic regional culture into the space order.

06

The Eyes of the Skin —— Architecture and the Senses

Juhani Pallasmaa

简介

Description

本书于1996年首次出版，已成为建筑理论的经典之作。本文结合了作者帕拉斯马的传记肖像和他的建筑思想，其起源，及其与北欧和欧洲思想、过去和现在的更广泛的背景的关系概述。这篇文章的重点是帕拉斯玛建筑方法的基本人性、洞察力和敏感性，使他更接近读者。帕拉斯马的素描和自己作品的照片说明了这一点。新版还提供了国际著名建筑师史蒂文霍尔的前言和帕拉斯马本人修订的介绍。

First published in 1996, The Eyes of the Skin has become a classic of architectural theory. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins, and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight, and sensitivity of Pallasmaa’s approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa’s sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.

推荐理由

Reason for Recommendation

本书作者为芬兰建筑师和理论家帕拉斯玛，全书提出并围绕视觉中心主义（Ocular Centrism）的概念，展开思考与批判，强调除视觉外其它感官对于我们体验和理解空间的重要性，为建筑设计提供了全然崭新的见解与视野。

The author of this book is a Finnish architect and theorist Pallasmaa. The book puts forward and criticizes the concept of visual centrism, emphasizes the importance of other senses besides vision for us to experience and understand space, and provides completely new insights and vision for architectural design.

07

起点与重力 （Origin and Gravity）

华黎

简介 

Description

本书旨在介绍中国青年建筑师的建筑实践，讨论中国当代建筑问题，从学术角度剖析中国最具活力的建筑师的代表作。

华黎认为，建筑是一种建构，而文字是一种颠覆（用新的认识不断去破解原有的知识）。建筑中可以有片刻的、恰到好处的寂静，而文字是让人无法停止的。因此用文字来系统地阐释建筑师所做的工作并不是一件容易的事，因为建筑师的实践活动本身就是由很多具有偶然性的碎片组成。我们对文字还是应该保持清醒，它是一种理想化的抽象，也是一种对现实的简化。

This book aims to introduce the architectural practice of Chinese young architects, discuss the contemporary architectural problems in China, and analyze the representative works of the most dynamic architects in China from an academic perspective.

Hua Li believes that architecture is a kind of construction, while writing is a kind of subversion. There can be a moment of just right silence in the building, and the words are unstoppable. Therefore, it is not easy to use words to systematically explain the work of the architect, because the practice of the architect itself is composed of a lot of accidental fragments. We should be sober about words, which is an idealized abstraction and a simplification of reality.

推荐理由

Reason for Recommendation

起点与重力，隐含了建筑终归是主体与客体的交汇、理想世界与现实世界的碰撞，而建筑作品正是建筑师个人状态的真实反映。本书平实的记录了华黎在建筑设计中的所思所想，以及建造过程中所发生的故事，而非过多关于形式的理论。

The starting point and gravity imply that architecture is the intersection of subject and object, the collision between the ideal world and the real world, and the architectural works are the real reflection of the architect's personal state. This book is a plain record of what Hua Li thought in architectural design and the story that happened during the construction, rather than too much theory of form.

08

UED122期《迹 | TAO十年》专辑

简介 

Description

本期杂志收录了冯仕达2019年10月与华黎的对谈，探讨“地形”“拓扑关系”等多种话题。王骏阳的评论文章《华黎的建筑与在抽象中保留“物”》以现代建筑的抽象为出发点理解华黎建筑作品中的表达。Eduard Kögel的评论文章结合气候变化与乡村发展等议题分析作品的社会价值。专辑还转载了刘东洋与华黎的对谈《近思远观:华黎谈作为基地的地景》，配有大量的项目手绘草图以及华黎在耶鲁时期的学生作业。

This issue of the magazine includes the conversation between Feng Shida and Huali in October 2019, discussing various topics such as "terrain" and "topological relationship". Wang Junyang's critical article takes the abstract of modern architecture as the starting point to understand the expression in Huali's architectural works. Eduard KöGel's review analyzes the social value of the work in the context of climate change and rural development. The album also reproduces the dialogue between Liu Dongyang and Hua Li, with a large number of hand-drawn sketches of the project and Hua Li's students' homework at Yale.

推荐理由

Reason for Recommendation

本书作为迹·建筑事务所（TAO）十年（2009-2019）工作的一个总结性回顾，收录了TAO成立十年以来的22个建筑作品，按照时间顺序排列，每个作品都有各自的关注重心，比如对建筑城市性的思考、对建筑平面组织原型的探讨、建筑与地平线的关系等，虽然没有一个明显的发展脉络或变化规律，但每个作品的关注点又相互关联重叠，迭代发展，反映着建筑的多维性与复杂性。

As a summary review of Tao's ten-year (2009-2019) work, this book contains 22 architectural works since Tao's establishment. Arranged in chronological order, each work has its own focus, such as the thinking of architectural urbanity, the discussion of architectural plane organization prototype, and the relationship between architecture and the horizon, Although there is no obvious development context or change law, the concerns of each work are interrelated and overlapping, iterative development, reflecting the multidimensional and complexity of architecture.