编舞/Choreography

整场演出中，十六位武僧和小沙弥与西迪的对武（舞）展现了西迪舞蹈编排的巧思，充分体现了力量与宁静的较量。西迪和武僧利用舞蹈的形体移动模拟了如蟒蛇、蝎子、苍鹰、蛤蟆与猛兽之间的对峙，刚柔并济。他在许多细节的设置上暗藏玄机。演出刚开始，西迪与小沙弥坐在箱子上，西迪伸出一根指头对着小沙弥不断绕转，像是沟通，又像是挑衅。演出快结束时，小沙弥对西迪的情感转变是对开头的一种呼应。同时，西迪的服装搭配了上衣是西装，下衣是僧衣的风格，武僧们在演出中段也都由僧衣改穿西装，暗示了中西方的融合与转变。

Throughout the performance, the martial art (dance) between the 16 monks and the young Sami and Sidi shows Sidi's clever choreography, which fully embodies the struggle between strength and tranquillity. Sidi and the monk used the physical movement of the dance to simulate the confrontation between boa, scorpion, hawk, toad, and fierce beast, combining hardness and softness. He has a knack for setting up many details. At the beginning of the performance, Sidi is sitting on a box with the little Novice Monk. Sidi points a finger at the little novice monk and keeps moving around, like communication, like provocation. Towards the end of the show, the young Novice's emotional transformation towards Sidi is an echo of the beginning. At the same time, Sidi's clothes are matched with a suit and the lower coat is in the style of monk's coat. The monks also change from monk's coat to suit in the middle of the performance, which indicates the fusion and transformation between China and the West.

装置/Installation

安东尼为整场戏剧设置了一系列不断移动变化的与人等高的木头箱子，象征着每个人的空间。众僧通过武术和舞蹈赋予了箱子灵魂，让箱子活动起来有了生命。安东尼通过这样的方式展现了这个世界的变化，比如模拟搭建中的城墙，正在盛开的莲花，体现了很多寺院的生活理念。包括在里面睡觉打坐，背着箱子行走，每个人都有自己的空间，而这个空间只是一个人的面积。

Antony sets up a series of moving and changing wooden boxes of human height for the whole play, symbolizing the space of each person. The monks gave the box its soul through martial arts and dance, bringing it to life. Antony shows the changes of the world in such ways as the simulated construction of the city wall and the blooming lotus flower, which embodies the life philosophy of many monasteries. Including sleeping and meditation, carrying boxes walking, everyone has their own space, and this space is only one person's area.

音乐/Music

西蒙的音乐也是这场戏剧很重要的一部分。整场音乐虽然以西洋乐器演奏，但偶尔可以从打击乐器中听到钟鸣之声，体现了更多的东方精神。抑扬顿挫的曲调与西迪的舞美设计和安东尼不断变换的箱子形成天作之合，兼具悠扬曼妙与澄净空灵。隐身于幕布之后的演奏者，在投射灯光的不断变换下屡屡现身于幕布之上，他们演奏的现场音乐充分调动观众的感官，实现了表演者和观看者的情感连接，呈现了一场绝佳的视听盛宴。

Simon's music is also an important part of the play. Although the whole music is played by western instruments, the sound of bells can be heard from percussion instruments occasionally, reflecting more Oriental spirit. The cadence is a match made in heaven with Sidi's choreography and Anthony's ever-changing boxes, both melodious and airy. Music performers hidden behind the curtain frequently appear on the curtain under the constant change of projected lights. Their live music fully arouses the audience's senses, realizes the emotional connection between performers and viewers, and presents an excellent audio-visual feast.

03

Sutra 对话/VS  走廊

《走廊》，展览现场

《走廊》是安东尼•葛姆雷2017年在上海龙美术馆“静止中移动”的展览中展出的作品。此次展览是安东尼在中国的首个重要展览，也是其开创性装置作品《临界物质II》在亚洲的首次亮相。《走廊》是一个长达近16米的耐候钢走廊，打造了一个光之空间。走廊的横截面是一个类似人体的几何形象，整个走廊只有一个入口，当观众走入人形走廊后，一直往里走，光线会逐渐消失，视觉感官也会慢慢消失，在完全进入黑暗中后，我们的空间感会在这原本狭窄的长廊中突然被无限扩展，没有边界。当我们从黑暗中回头看时，会突然发现另一个世界在光线里出现，光线与人形的交错，形成一种美丽的光之世界。

观众因此感受到另一个世界的存在，这种体验是超乎寻常的，其灵感也可以在安东尼过往的人生经历中追溯到。从事艺术创作前，安东尼在剑桥大学主修人类学、考古学和史前艺术。在完成学业后，他离开欧洲大陆前往完全不同文化的亚洲寻求新的体验，在三年时间内游历阿富汗、土耳其、伊朗、伊拉克等地，并在印度学习佛教相关知识。回到伦敦后，安东尼开始学习艺术，并开始了艺术家的职业生涯。正是这些对宗教的兴趣和经历促使他参与并制作了《Sutra》。

《Passage》 is Anthony Gormley's 2017 moving in “Still Moving” at The Long Museum of Fine Arts in Shanghai. The exhibition is Antony's first major show in China and the first in Asia for his groundbreaking installation, 《Critical Mass II》. 《Passage》 is a corten steel corridor nearly 16 meters long, creating a space of light. The cross-section of Passage is a similar geometry-image of the human body, there was only one entrance to the corridor, while the audience into the corridor of humanoid, walking in all the time, the light will gradually disappear, visual sense will slowly disappear, after completely into the darkness, our space in this originally in the narrow corridor was suddenly infinite extension, no boundaries. When we look back from the darkness, we will suddenly find another world appears in the light, the light and the human form a beautiful world of light.

The audience's sense of the existence of another world is extraordinary, and its inspiration can be traced back to Anthony's past life experience. Antony studied anthropology, archaeology and prehistoric art at Cambridge University before embarking on a career as an artist. After completing his studies, he left the European continent to seek new experiences in Asia, a very different culture and spent three years traveling to Afghanistan, Turkey, Iran, Iraq, and studying Buddhism in India. After returning to London, Anthony studied art and began his career as an artist. It was these interests and experiences in religion that led him to become involved in the production of Sutra.

《走廊》，展览现场

“静止中移动”展览代表了安东尼过去40多年关注的主题，即“身体作为空间、空间作为物体”。《走廊》既是物体，也是一种经验，暗示着人与身体内部的联系，并提供了进入黑暗和未知世界的旅程，也是我们重新认识自己和空间的关系的机会。《Sutra》在表演中使用了大量的可以将人装进去的木头盒子，并安排众僧在里面演绎生活的状态，坐卧行走，千变万化，从另一个维度诠释了空间与人的关系。两幅作品用不同的介质和不同的形态，表达了安东尼对人、空间和物体的思考，跨越时间和空间形成了一次另类的对话。

“Stilling Moving“ represents Anthony's focus over the past 40 years, namely "body as space, space as object". “Passage” is both an object and an experience, implying a connection to the body's interior and offering a journey into the dark and unknown, as well as an opportunity to rediscover our relationship to space. In the performance, “Sutra” used a large number of wooden boxes that could be filled with people, and arranged the monks to interpret the state of life in them, sitting, lying and walking, which changed in myriad ways, and interpreted the relationship between space and people from another dimension. The two works use different media and different forms to express Anthony's thoughts on body, space, and object, forming an alternative dialogue across time and space.

Sidi Larbi Cherkaoui（生于1976年）是比利时与摩洛哥的舞者、编舞和导演。他已经制作了50多个编舞作品，并获得了两项Laurence Olivier最佳新舞作品奖，三项芭蕾舞团最佳编舞奖（2008，2011，2017）和KAIROS奖（2009）。

Sidi Larbi Cherkaoui (born 1976) is a Belgian-Moroccan dancer and choreographer and director. He has made over 50 choreographic pieces and received two Laurence Olivier Award for Best New Dance Production, three Ballet Tanz awards for best choreographer (2008, 2011, 2017) and the KAIROS Prize (2009).

安东尼·格姆雷

Antony Gormley

安东尼·格姆雷（生于1950年）因雕塑、装置作品以及研究人体与空间关系的公共艺术品而广受赞誉。自20世纪60年代以来，面对人类相对于自然和宇宙所处的位置的基本问题，他的作品通过对自己和他人身体进行批判性探究，从而开拓了雕塑创造的潜力。格姆雷不断尝试将艺术空间定位为一个可以产生新行为，新思想和新感觉的地方。格姆雷于1994年获得透纳奖（Turner Prize），1999年获得南岸视觉艺术奖（South Bank Prize for Visual Art），2007年获得Bernhard Heiliger雕塑奖，2012年获得Obayashi奖，并于2013年获得了日本皇室世界文化奖（Praemium Imperiale）。他还是英国皇家建筑师学会的名誉院士，剑桥大学名誉博士以及剑桥Trinity and Jesus学院院士，自2003年起担任皇家院士。

Antony Gormley (born 1950) is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviours, thoughts and feelings can arise. Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007, the Obayashi Prize in 2012 and the Praemium Imperiale in 2013. He is an Honorary Fellow of the Royal Institute of British Architects, an Honorary Doctor of the University of Cambridge and a Fellow of Trinity and Jesus Colleges, Cambridge. Gormley has been a Royal Academician since 2003.

西蒙·博邹思卡

Szymon Brzóska

西蒙·博邹思卡 Szymon Brzóska来自波兰，毕业于波兰波兹南音乐学院以及比利时安特卫普的皇家佛兰德音乐学院。SzymonBrzóska的作品探索了音乐，运动和图像之间的关系。他的特殊兴趣促使他参与了各种艺术形式的合作。他的音乐语言可以置于当代前卫音乐和极简主义之间，但深深植根于传统的古典音乐。他的作品曾出现在世界各地许多著名的场所和音乐节上，例如萨德勒的威尔斯剧院，悉尼歌剧院，林肯中心和纽约的BAM等。

Originally from Poland, Szymon Brzóska graduated from the Music Academy in Poznań, Poland as well as the Royal Flemish Conservatory in Antwerp, Belgium. Szymon Brzóska’s work explores the relationship between music, movement, and image. The particular interest has led him to participate in many collaborative projects across various art forms. His musical language can be placed somewhere between contemporary avant-garde and expanded tonality with a touch of minimalism, yet is deeply rooted in the very tradition of the classical music. His compositions have been performed many times over in numerous prestigious venues and festivals across the world such as Sadler’s Wells Theatre, Sydney Opera House, Lincoln Centre and BAM in New York.

关于设计师

About the Designer

廖青

莫方 Eating Lab+Gallery+Theater 主理人

荷兰皇家艺术学院室内建筑专业(Interior Architecture)  研究生

清华大学美术学院环境艺术设计系室内设计专业  本科